Winter Semester 2012
Most sessions will probably be Mondays 11:45-13:15 in SR 47.12 (Heinrichstr. 78A/I)
Directions from Graz main railway station (Hauptbahnhof): Bus 58 to Rosenhaingasse
To confirm times and places: Uni Graz Online --> Suche --> Lehrveranstaltung --> Parncutt --> Konversatorium

Date	Speaker	Topic
01.10.	x	x
08.10.	x	x
15.10.	Sebastian Flossmann (Linz)	A probabilistic model of expression in piano music
22.10.	Florian Eckl	Using music to improve the quality of life of older people
29.10.	Martin Schmid (Innsbruck)	Predicting the root of a musical chord: Comparison of different models
5.11.	Karim Weth (Salzburg)	Emotional ambivalence in music: Felt and perceived
12.11.	x	x
19.11.	x	x
26.11.	Bobby Gibbs (USA)	x
3.12.	x	x
10.12.	x	x
17.12.?	x	x
7.1.	x	x
14.1.	x	x
21.1.	x	x
28.1.	x	x

Thesesa Veltri (Sheffield): Musical emotion and uncertainty
Kessia Probst (KUG): Evaluation of posture and movement training for musicians

Information for presenters

We have a standard PC with internet connection. It is connected to a ceiling-mounted beamer and amplifier/loudspeakers. If you wish, you can bring a laptop and connect it to both beamer and loudspeakers. But it is easier to bring a USB stick. In that case, and if you have sound examples or videos, be sure to put them in the same folder. Test your presentation on a different computer from the one you normally use to make sure it works. In any case bring a backup, e.g. another USB stick or an email to yourself with an attachment.

Please reserve a timeslot well in advance. In a 90 minute session we generally have time for either one guest speaker (40 minutes plus discussion) or two students (20 minutes each plus discussion). There is generally some competition for timeslots, especially towards the end of the semester, so if you wish to cancel, please do so well in advance.

Dear students, your name on the program represents an important agreement. If you what to change that agreement, please do so at least two weeks in advance. Otherwise I may not be able to organise a replacement (and I have other things to do!). Moreover, it may not be possible to find another timeslot for you until the following semester. To avoid such problems, please only agree to give a talk on a given day when you are sure that you can do it.

Summer Semester 2012
No research colloquium (sabbatical semester)

Archiv: Winter Semester 2011

Date	Speaker	Topic
10.10.	Richard Parncutt	Introduction
17.10.	Giuliano Lancioni (Rome)	A music21 implementation of Parncutt's (1989) pitch salience algorithm
24.10.	Richard Parncutt	Structuring the argument of a theoretical paper
31.10.	Peter Ninaus (Vienna)	Estimating the difficulty of clarinet fingerings
7.11.	Dieter Kleinrath (KUG)	Sound organisation in 20th- and 21st-century art music
14.11.	Andreas Juwan	Emotion regulation through mobile music listening
21.11.	Duilio D'Alfonso (Calabria, Frosinoni)	From perception to analysis: Levels in music understanding
28.11.	Olivier Gagnon (Montreal)	Speech prosody, emotion and composition
5.12.	Lucia Laggner
12.12.	Johannes Lehner / Anna Semlitsch
9.1.	Sigrun Mogel
16.1.	Stefanie Glabischnig / Laura Piller
23.1.	Markus Pirker / Julian Abuzahra
30.1.	Karin Bindu	A qualitative study of percussion Art in Kutiyattam (Sanskrit drama)

   Archive: Summer Semester 2011

Date	Speaker	Topic
28/2	Parncutt	Introduction
7/3	Parncutt	Structure of argument in bachelor thesis
14/3	Daniela Prem	Organisation of a timbral database
21/3	Erica Bisesi	Piano music, imagery and emotion
28/3
4/4	Marek Žabka (Bratislava)	Concord and discord between voice-leading and harmony
11/4	Nino Kadletz / Lucia Laggner	Social effects of musical subcultures / Techno, communication, dance
(Easter)
9/5	Sarah Ross (Bern)	Musical timescapes: Constructing and experiencing time in Jewish ritual music
23/5	Britta Richter	Interview study on music and religion
30/5	Johannes Lehner	Gender differences in gesturally expressed emotions
3/6 um 9h		(Betriebsausflug, colloquium participants are welcome!)
6/6	Andreea Chiselev	Infant music perception
20/6	Justin Winkler (Geographie)	Soundscape studies: Describing everyday sounds
27/6	Alexander Keim	Jazz harmony

Archive: Winter Semester 2010

Date	Speaker	Topic
4.10	Parncutt	Research careers in systematic musicology
11.10, 7pm	Daniele Buccio (Musicologia e beni musicali, Bologna)	Experimental research on fusion and consonance from Stumpf to Plomp & Levelt
18.10	Daniela Prem	Timbre in jazz singing: A database for research and teaching
25.10, 10am
25.10
8.11, 10am	Bruno Gingras (Montreal, London)	Expressive strategies and artistic individuality in organ performance
15.11, 10am	Johannes Lehner
15.11	Bertl Mütter (PhD student, KUG)	Reflections on the creative process
22.11
29.11	Jürgen Kahr (Masters student in Sozialpädagogik)	Life skills and coping strategies of young musicians
6.12
13.12, 10am
13.12

Archiv: Sommer Semester 2010

Datum	Referent/in	Thema
1.3.	RP	Der "Argumentationsgang" als Grundlage der Bachelorarbeit
8.3.	RP	Einführung
15.3.	RP	1. Entwurf der Tabelle "Argumentationsgang"
22.03. um 19:00  im Mehrzwecksaal, Wall	Mag. Cynthia Quiroga Murcia, Uni Frankfurt	Effekte des Tanzens auf subjektive und psychobiologische Parameter
19.4.	Eva Matlschweiger	Bachelorarbeit: 1. Referat
26.04.
3.5.	Andreas Juwan	Bachelorarbeit: 1. Referat
10.5.	Sonja Zechner	Diplomarbeit: Literatur und Methode
17.05.	Dietmar Tscherne	Bachelorarbeit: 1. Referat
27.05. um 18:00  im Mehrzwecksaal, Wall	Dr. Marcello Sorce Keller	Warum wir Beethoven ethnologisch betrachten und verstehen sollten (oder: wieso das Studium der klassischen Musik der Musikethnologie gehört)
31.5.	Florian Eckl; Zita Martus	Bachelorarbeit: 1. Referat
7.6.
14.6.	Stéphanie Lüders	Literaturreferat + Ergebnisreferat
21.06.	Dr. Johannes Flecker, Institut für Marketing	Musik und die Wahrnehmung von Markenpersönlichkeit
28.6.	Sonja Zechner	Allgemeines zu qualitätiven Forschungsmethoden

Archiv - Fragen