Author(s)

incl. presenter(s)*

Title

  Mode

Addessi,* Anna Rita; Pachet, François

Child-computer interaction: Observation in a classroom setting

Allesch,* Christian G.; Krakauer, Peter M.

Understanding our experience of music: What kind of psychology do we need?

Ambrazevicius,* Rytis

Scales in traditional solo singing: Models and results

Andreas,* Torsten; Pechmann, Thomas

Contextual influence on the intelligibility of high-pitched sung vowels

Andreatta,* Moreno; Agon, Carlos

Algebraic methods in twentieth-century music theory and musicology: Some computational aspects

Antovic,* Mihailo

Linguistic semantics as a vehicle for a semantics of music

Ardet,* Natalie

Teenagers, internet and Black Metal

Baumann,* Stephan; Halloran, John

An ecological approach to multimodal subjective music similarity perception

Benzi,* Carlo; Addessi,* Anna Rita

Composing and performing contemporary music with pupils

Berger, Talya; Berger,* Jonathan

Monophonic polymeter

Borgo,* David; Goguen, Joseph

Sync or swarm: Group dynamics in musical free improvisation

Brown,* Andrew; Bertsch, Matthias

The paradox of musical acoustics: Objectivizing the essentially subjective

Bucht,* Saku; Huovinen, Erkki

Perceived consonance of harmonic intervals in 19-tone equal temperament

Callaghan,* Jean; Thorpe, William; van Doorn, Jan

The science of singing and seeing

Christiansen,* Paul V.; Pearl, Jonathan G. S.

Language as music: The case of Leos Janácek

Crilly,* David

"There’s no theatre like Noh theatre…" Cultural montage in Britten’s Curlew River

Crow,* Robert Jamieson; Bartmann, Manfred

Cognitive confusion as compositional subject matter: Viewpoints from music theory and modern psychology

Day, Timothy; Tietze,* Gwendolyn; Vlcek,* Hannah

Histories in sound: Disseminating medieval music

Deutsch,* Werner; Beiß,* Tilla

Singing as a way to recover speech

Eitan,* Zohar; Granot, Roni Y.

Musical parameters and listeners' images of motion

Ergur,* Ali; Aydin,* Yigit

Patterns of modernization in Turkish music as indicators of a changing society

Fabian,* Dorottya; Schubert, Emery

Performed and perceived dotting are different: Implications for performance practice and pedagogy

Ferková, Eva; Zdímal,* Milan

Computer-aided harmonic analysis from Midi input

Gaul,* Magnus; Kreutz,* Gunter

Music education as perceived by fourth- and fifth-grade students

Gordon,* Reyna Leigh; Schön,* Daniele; Magne, Cyrille; Astésano, Corine; Besson, Mireille; Ystad, Sølvi

An fMRI study of the neural basis of song perception

Green,* Edward; Perey, Arnold

Aesthetic Realism: A new foundation for interdisciplinary musicology

Gruhn, Wilfried; Gebhardt,* Christine

The eye and the ear: Interaction between oculo-motor and musical tasks

Grupe,* Gerd; Sontacchi, Alois; Höldrich,* Robert

Pitch perception in lamellophones and the development of a computer-based tool for interactive experiments on tunings and tonal systems

Holm-Hudson,* Kevin; Kucinskas, Darius

Plane isometries in the music of M.K. Ciurlionis

Hultberg,* Cecilia; Östersjö, Stefan

Method development for qualitative research on interpretation finding

Iñigo-Chua,* Alexandra; Rivera, Cynthia Luz

The Monasterio de Santa Clara Cantorales: Reclaiming the voices of women in the music of 19th century Manila

Ivantchenko,* Galina; Bezrogov, Vitaliy

Music in transition: Perception of popular musical arrangements

Jones,* Allan; Seaton, Richard

Creating a joint technology/arts course in the technology of music for distance education

Jurgensen,* Frauke; Knopke, Ian

A comparison of automated methods for examining style in fifteenth-century secular song

Kac,* Juliet; Paton, Rod

Painted musical representation and mnemonics

Kessler,* Annekatrin; Puhl, Klaus

Subjectivity, meaning and emotion in music perception

Kolláth,* Zoltán, Keuler Jenö

Stellar acoustics as input for music composition

Kranenburg,* Peter van; Backer, Eric

Musical style recognition - A quantitative approach

Lalitte,* Philippe; Bigand, Emmanuel; Alzina, Cécile

Music in the moment? Revisiting the effect of large-scale structures

Langner,* Gerald; Ochse, Michael

Temporal and spatial representation of pitch and timbre in the brain

Latham,* Edward D.; Meglin, Joellen

Motivic design and physical gesture in L'après-midi d'un faune

Lehmann,* Christian; Welker, Lorenz

Song duels as Turnierkampf: An ethological approach

Leisiö,* Timo; Niskanen, Markku

Musical grammar of yoiks and the genetic background of the North Saami

Leman,* Marc; Camurri, Antonio

Musical content processing for interactive multimedia

Lewis,* David; Crawford, Tim; Gale, Michael

An Electronic Corpus of Lute Music (ECOLM): Technological challenges and musicological possibilities

Mantl,* Margaret

Perfection as performance

Matras,* Judah; H. Stanford, Edward

On horizons and research agendas for the sociology of musics

McKinney,* Martin F.; Moelants, Dirk

Deviations from the resonance theory of tempo induction

Mittmann, Eva; Kreutz,* Gunter

Music education with hearing-impaired children

Mogharbel,* Christliebe El; Sommer,* Grit; Deutsch,* Werner; Wenglorz, Markus; Laufs, Ingo

Songs without words: A case study of an autistic child

Müllensiefen,* Daniel; Frieler, Klaus

Similarity measures for melodies: Mathematical systematization and psychological evaluation

O’Keeffe,* Ciarán; Angliss, Sarah

The subjective effects of infrasound in a live concert setting

Ojamaa,* Triinum; Ross, Jaan

Relationship between texts and tunes in Siberian folksongs

Parncutt,* Richard; Ferguson, Sean

Computer-assisted composition with algorithmic implementations of pitch-perceptual theory

Prünster,* Gernot; Fellner, Maria; Graf, Franz; Mathelitsch,* Leopold

An empirical study on the sensation of roughness

Radicioni,* Daniele; Anselma, Luca; Lombardo, Vincenzo

A segmentation-based prototype
to compute string instrument fingering

Rahn, Jay; Bigand, Emmanuel; Poulin,* Bénédicte

Implicit learning of Indian music by Westerners

Rodríguez-Vázquez,* Rosalía

Linearity in language and music: Constraints that processing imposes on performance

Russo,* Marco

Virtual space and cinema: Front-back presentation of sound

Santacreu Fernández,* Oscar; Alaminos Chica, Antonio

Let the music play the feelings: The performative effect of music in advertising

Schön,* Daniele, Wicker, Bruno

Relation of music and images in brain structures processing fear

Schwarzbauer, Michaela; Allesch,* Christian; Jankula, Susanne

Polyaesthetic education – A bridge between arts, sciences, and education

Sommer,* Grit; Mogharbel,* Christliebe El; Deutsch,* Werner; Laufs, Ingo

When reproductions fails in children´s singing

Traube,* Caroline; McCutcheon, Peter; Depalle, Philippe

Verbal descriptors for the timbre of the classical guitar

van der Werf,* Sybrand; Hendriks,* Petra

A constraint-based approach to grouping in language and music

Vurma, Allan; Ross,* Jaan

 Intonation accuracy when singing in ensemble

Ward,* Vicky; Windsor,* Luke

Development of expressive timing in student clarinet performances

Weisberg, Robert W.; Brinkman,* Alexander R.; Folio,* Cynthia J.; Dick, Anthony; Fleck, Jessica I.; Niederberg, Bryan; Barrett, Fred

Toward a cognitive analysis of creativity:
Improvisation in jazz

Welch, Graham F.; Himonides,* Evangelos; Howard, David M.; Brereton, Jude

VOXed: Technology as a meaningful teaching aid in the singing studio

Weyde,* Tillman; Wissmann, Jens

Visualization of musical structure