Proceedings

Contributions are listed in alphabetical order of first author. To find a second author or a particular title or key word, use the search function on your computer (control-F or apple-F).

Authors who registered to attend the conference are marked with an asterisk (*). Talks and posters were presented by these authors.

The letters in the third column indicate the mode of presentation, i.e. whether the paper was an Invited talk, a regular Talk or a Poster.

The pdf files that were accessible from on this page at the time of the conference were distributed to all participants on the proceedings CD, which was placed inside the back cover of the abstract booklet.

Click here to download the entire abstract booklet as a pdf file (1,7 MB).

Author(s)

incl. presenter(s)*

Title

  Mode

File

Addessi,* Anna Rita; Pachet, François

Child-computer interaction: Observation in a classroom setting

I pdf

Allesch,* Christian G.; Krakauer, Peter M.

Understanding our experience of music: What kind of psychology do we need?

I pdf

Ambrazevicius,* Rytis

Scales in traditional solo singing: Models and results

T pdf

Andreas,* Torsten; Pechmann, Thomas

Contextual influence on the intelligibility of high-pitched sung vowels

P

Andreatta,* Moreno; Agon, Carlos

Algebraic methods in twentieth-century music theory and musicology: Some computational aspects

T

Antovic,* Mihailo

Linguistic semantics as a vehicle for a semantics of music

T pdf

Ardet,* Natalie

Teenagers, internet and Black Metal

P pdf
Aydin,* Yigit;
Ergur, Ali
Nationalizing harmony? – A system of harmony proposed by Turkish composer Kemal Ilerici T pdf

Baumann,* Stephan; Halloran, John

An ecological approach to multimodal subjective music similarity perception

T pdf

Benzi,* Carlo; Addessi,* Anna Rita

Composing and performing contemporary music with pupils

T pdf

Berger, Talya; Berger,* Jonathan

Monophonic polymeter

T pdf

Borgo,* David; Goguen, Joseph

Sync or swarm: Group dynamics in musical free improvisation

T

Brown,* Andrew; Bertsch, Matthias

The paradox of musical acoustics: Objectivizing the essentially subjective

T pdf

Bucht,* Saku; Huovinen, Erkki

Perceived consonance of harmonic intervals in 19-tone equal temperament

T pdf

Callaghan,* Jean; Thorpe, William; van Doorn, Jan

The science of singing and seeing

T pdf

Christiansen,* Paul V.; Pearl, Jonathan G. S.

Language as music: The case of Leos Janácek

T

Crilly,* David

"There’s no theatre like Noh theatre…" Cultural montage in Britten’s Curlew River

T

Crow,* Robert Jamieson; Bartmann, Manfred

Cognitive confusion as compositional subject matter: Viewpoints from music theory and modern psychology

T

Day, Timothy; Tietze,* Gwendolyn; Vlcek,* Hannah

Histories in sound: Disseminating medieval music

T pdf

Deutsch,* Werner; Beiß,* Tilla

Singing as a way to recover speech

P

Eitan,* Zohar; Granot, Roni Y.

Musical parameters and listeners' images of motion

T pdf

Ergur,* Ali; Aydin,* Yigit

Patterns of modernization in Turkish music as indicators of a changing society

I pdf

Fabian,* Dorottya; Schubert, Emery

Performed and perceived dotting are different: Implications for performance practice and pedagogy

P

Ferková, Eva; Zdímal,* Milan

Computer-aided harmonic analysis from Midi input

P  

Gaul,* Magnus; Kreutz,* Gunter

Music education as perceived by fourth- and fifth-grade students

P

Gordon,* Reyna Leigh; Schön,* Daniele; Magne, Cyrille; Astésano, Corine; Besson, Mireille; Ystad, Sølvi

An fMRI study of the neural basis of song perception

P

Green,* Edward; Perey, Arnold

Aesthetic Realism: A new foundation for interdisciplinary musicology

P pdf

Gruhn, Wilfried; Gebhardt,* Christine

The eye and the ear: Interaction between oculo-motor and musical tasks

P

Grupe,* Gerd; Sontacchi, Alois; Höldrich,* Robert

Pitch perception in lamellophones and the development of a computer-based tool for interactive experiments on tunings and tonal systems

T

Holm-Hudson,* Kevin; Kucinskas, Darius

Plane isometries in the music of M.K. Ciurlionis

T pdf

Hultberg,* Cecilia; Östersjö, Stefan

Method development for qualitative research on interpretation finding

T pdf

Ińigo-Chua,* Alexandra; Rivera, Cynthia Luz

The Monasterio de Santa Clara Cantorales: Reclaiming the voices of women in the music of 19th century Manila

P

Ivantchenko,* Galina; Bezrogov, Vitaliy

Music in transition: Perception of popular musical arrangements

P

Jones,* Allan; Seaton, Richard

Creating a joint technology/arts course in the technology of music for distance education

P

Jurgensen,* Frauke; Knopke, Ian

A comparison of automated methods for examining style in fifteenth-century secular song

I pdf

Kac,* Juliet; Paton, Rod

Painted musical representation and mnemonics

P pdf

Kessler,* Annekatrin; Puhl, Klaus

Subjectivity, meaning and emotion in music perception

T pdf

Kolláth,* Zoltán, Keuler Jenö

Stellar acoustics as input for music composition

T pdf

Kranenburg,* Peter van; Backer, Eric

Musical style recognition - A quantitative approach

T pdf

Lalitte,* Philippe; Bigand, Emmanuel; Alzina, Cécile

Music in the moment? Revisiting the effect of large-scale structures

T

Langner,* Gerald; Ochse, Michael

Temporal and spatial representation of pitch and timbre in the brain

P

Latham,* Edward D.; Meglin, Joellen

Motivic design and physical gesture in L'après-midi d'un faune

T pdf

Lehmann,* Christian; Welker, Lorenz

Song duels as Turnierkampf: An ethological approach

T

Leisiö,* Timo; Niskanen, Markku

Musical grammar of yoiks and the genetic background of the North Saami

T

Leman,* Marc; Camurri, Antonio

Musical content processing for interactive multimedia

I pdf

Lewis,* David; Crawford, Tim; Gale, Michael

An Electronic Corpus of Lute Music (ECOLM): Technological challenges and musicological possibilities

P pdf

Mantl,* Margaret

Perfection as performance

P

Matras,* Judah; H. Stanford, Edward

On horizons and research agendas for the sociology of musics

T

McKinney,* Martin F.; Moelants, Dirk

Deviations from the resonance theory of tempo induction

T pdf

Mittmann, Eva; Kreutz,* Gunter

Music education with hearing-impaired children

T

Mogharbel,* Christliebe El; Sommer,* Grit; Deutsch,* Werner; Wenglorz, Markus; Laufs, Ingo

Songs without words: A case study of an autistic child

T  

Müllensiefen,* Daniel; Frieler, Klaus

Similarity measures for melodies: Mathematical systematization and psychological evaluation

T pdf

O’Keeffe,* Ciarán; Angliss, Sarah

The subjective effects of infrasound in a live concert setting

T

Ojamaa,* Triinum; Ross, Jaan

Relationship between texts and tunes in Siberian folksongs

P

Parncutt,* Richard; Ferguson, Sean

Computer-assisted composition with algorithmic implementations of pitch-perceptual theory

T

Prünster,* Gernot; Fellner, Maria; Graf, Franz; Mathelitsch,* Leopold

An empirical study on the sensation of roughness

P pdf

Radicioni,* Daniele; Anselma, Luca; Lombardo, Vincenzo

A segmentation-based prototype
to compute string instrument fingering

T pdf

Rahn, Jay; Bigand, Emmanuel; Poulin,* Bénédicte

Implicit learning of Indian music by Westerners

T

Rodríguez-Vázquez,* Rosalía

Linearity in language and music: Constraints that processing imposes on performance

P

Russo,* Marco

Virtual space and cinema: Front-back presentation of sound

T pdf

Santacreu Fernández,* Oscar; Alaminos Chica, Antonio

Let the music play the feelings: The performative effect of music in advertising

P pdf

Schön,* Daniele, Wicker, Bruno

Relation of music and images in brain structures processing fear

T

Schwarzbauer, Michaela; Allesch,* Christian; Jankula, Susanne

Polyaesthetic education – A bridge between arts, sciences, and education

P

Sommer,* Grit; Mogharbel,* Christliebe El; Deutsch,* Werner; Laufs, Ingo

When reproductions fails in children´s singing

T

Traube,* Caroline; McCutcheon, Peter; Depalle, Philippe

Verbal descriptors for the timbre of the classical guitar

T

van der Werf,* Sybrand; Hendriks,* Petra

A constraint-based approach to grouping in language and music

T pdf

Vurma, Allan; Ross,* Jaan

 Intonation accuracy when singing in ensemble

T

Ward,* Vicky; Windsor,* Luke

Development of expressive timing in student clarinet performances

P

Weisberg, Robert W.; Brinkman,* Alexander R.; Folio,* Cynthia J.; Dick, Anthony; Fleck, Jessica I.; Niederberg, Bryan; Barrett, Fred

Toward a cognitive analysis of creativity:
Improvisation in jazz

T pdf

Welch, Graham F.; Himonides,* Evangelos; Howard, David M.; Brereton, Jude

VOXed: Technology as a meaningful teaching aid in the singing studio

T pdf

Weyde,* Tillman; Wissmann, Jens

Visualization of musical structure

T pdf

 

 

Conference on
Interdisciplinary Musicology


Graz
, Austria
15-18 April 2004


http://gewi.uni-graz.at/~cim04