Author(s)

Title

Bartos, Aleksandra

Witold Lutosławski’s compositional process:
The conception and the practice

Bisesi, Erica; Vicario, Giovanni Bruno

Psychoacoustic aspects of the speed of melody performance

Borkowski, Jennifer

Issues of stamina in new music:
Answers from sports science

Compton, Regina

Franz Liszt and the kinsmen:
A Humean standard in nineteenth-century Paris

Dobson, Melissa

Exploring classical music concert attendance: The effects of
concert venue and familiarity on audience experience

Ferrer, Rafael

Embodied cognition applied to timbre and musical
appreciation: Theoretical foundation

Katsochi, Charikleia

Students’ self-beliefs and music instruction:
A literature review

Kenny, Aisling

Integration or isolation? Considering implications of the
designation ‘woman composer’

Majchrzak, Miroslaw

Diversity of the tonal strucutre of Chopin´s Etudes

Piras, Elisabetta; Addessi, Anna Rita

Communicative aspects of the dyadic musical interaction
between mother and child

Prem, Daniela; Parncutt, Richard

Corporality in the timbre vocabulary of professional female
jazz vocalists

Rhéaume, Martine

Evolution of a musical style –
Stylistic transitions in Vivier’s first works

pdf

Smith, Bethany J.

Pianosexual: Fascinations of Tori Amos's sexualized
virtuosity in performance

Strahan, Barbara Marie

Genre theory and the early nineteenth century

Vogt, Katharina

Sonification in computational physics –
QCD-audio

Wolf, Motje

EARS II
Time for a New Approach to Electroacoustic Music