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Erica Bisesi & Giovanni Vicari (Italy): Psychoacoustic aspects of the speed of melody performance
Rafael Ferrer (Finland): Embodied cognition applied to timbre and musical appreciation: Theoretical foundations
Aisling Kenny (Ireland): Integration or isolation? Considering implications of the designation 'woman composer'
Miroslaw Majchrzak (Poland): Diversity of the tonal structure of Chopin's Etudes
Martine Rhéaume (Canada): Evolution of a musical style: Stylistic transitions in Vivier's first works