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The Metareferential Turn in Contemporary Arts and Media: Forms, Functions, Attempts at ExplanationAn International Symposium Organized at the Centre for Intermediality Studies in Graz (October 1–3, 2009)Call for Papers
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Call for Papers (download PDF)
‘Metaization’ – the movement from a first cognitive or communicative level to a higher one on which first-level utterances and above all the means and media used for such utterances self-reflexively become objects of reflection and communication in their own right – was for a long time mostly restricted to a relative minority of works or artefacts, and in particular to ‘high art’. In the twentieth century, notably in the context of postmodernism, this situation changed drastically: metaization and its product, ‘metareference’, have not only increased dramatically in quantity but have also spread to areas in which they could rarely, if at all, be found in the past, in particular to popular genres (where they have produced ‘meta-pop’), but also to the new media. In fact, no matter whether we read a new novel or comic, listen to a musical such as The Phantom of the Opera, or play a computer game – in all cases we are nowadays likely to encounter metaphenomena.
This ‘metareferential turn’ has frequently been observed but rarely studied on a broad basis with the aim of providing a comprehensive synopsis of metareference including its effects and motivations in contemporary arts and media. This is what the forthcoming symposium attempts to do. It is a sequel to a conference held in May 2008 in Graz which was dedicated to both a theoretical debate (the discussion of a conceptual toolbox that would be useful for a transmedial description of ‘metareference’) and to case studies of works from various genres, arts and media past and present. In partial contrast to the theoretical focus of the earlier conference and its inclusion of historical metaphenomena, the symposium announced here is expected to concentrate exclusively on (in broad terms) contemporary metaphenomena ( i. e., from the second half of the twentieth century), but it will continue the transmedial focus and thus encourage discussion of a great variety of media. The following issues will be considered in particular:
- collecting and interpreting relevant examples of metareference in contemporary arts and media, especially where this has not been done so far to a sufficient degree;
- exploring major functions and effects of metaization in contemporary arts and media;
- embedding the current metareferential turn in the general cultural-historical development of ‘metaization’, and finding possible reasons for its appearance.
The forthcoming symposium will again provide opportunity for intense debate, and its proceedings will be promptly published. There will also be ample occasion for informal exchange during some social and tourist activities, for which the historical centre of Graz and the city’s beautiful surroundings offer perfect settings.
Papers dealing with any of the above-mentioned topics are welcome; yet all papers ought to address the functions of metaization in our world and/or the question of how to explain the current metareferential turn. Especially papers going beyond a discussion of metafiction, the perhaps best-researched genre in this context, are encouraged. The length of papers, which must be given in English, should not exceed 30 minutes. All those who were interested in, or participated in, the 2008 symposium are again cordially invited to attend, but participation in the forthcoming conference does not require having attended the earlier one. (For those interested: the proceedings of the 2008 symposium are forthcoming as Werner Wolf, ed. Metareference in the Arts and Media: Theory and Case Studies. Studies in Intermediality 4. Amsterdam/New York: Rodopi, 2009).
Please send abstracts of 300 to 500 words with a short CV including an indication of academic affiliation by email to metareference[at]uni-graz.at.
The deadline is February 16, 2009.
For further information please contact the conference organizers at the e-mail address above.
Prof. Dr. Werner Wolf
Prof. Dr. Walter Bernhart
Mag. Katharina Bantleon
Jeff Thoss, M.A.
Programme
Wednesday, September 30rd, 2009
From 19:00 Conference Warming: Herzl Weinstube, Prokopigasse 12/Mehlplatz (near Hauptplatz/main square)
Thursday, October 1st, 2009
Venue: HS 11.01
| 8:30–9:00 | Registration |
| 9:00–9:10 | Conference Opening |
| 9:10–9:20 | Greetings from the Director of the CIMIG, Walter Bernhart |
| 9:20–9:30 | Greetings from Vice Rector Irmtraud Fischer |
Introductory Lecture |
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| 9:30–10:15 | Werner WOLF (Graz): Is There a Metareferential Turn, and If So, How Can One Explain It? |
Section 1: Literature (part I) |
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| 10:15–11:00 | John PIER (Tours): Intermedial Metareference: Theoretical and Functional Aspects and a Case Study (William Gass: Willy Master’s Lonesome Wife) |
| 11:00–11:30 | Coffee Break |
| 11:30–12:15 | Andreas MAHLER (Graz): Writing on the Writer’s Block: Metaization and/as Lack of Inspiration |
| 12:15–13:00 | Andreas BÖHN (Karlsruhe): Metareference, Memory and Mediality in German and Austrian Novels of the Last Decade |
| 13:00–14:30 | Lunch |
Section 2: Television |
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| 14:30–15:15 | Irina RAJEWSKY (Berlin): ‘Metatelevision’: The Popularization of Metareferential Strategies in the Context of Italian Television |
| 15:15–16:00 | Henry KEAZOR (Saarbrücken): “The Stuff You May Have Missed”: Art, Film and Metareference in The Simpsons |
| 16:00–16:30 | Coffee Break |
| 16:30–17:15 | Katharina RENNHAK (Munich): Reflecting on TV’s Laws; Or, Metaization and the Politics of Ally McBeal and Boston Legal |
| 17:15–18:00 | Alexander STARRE (Göttingen): The Materiality of Books and TV: Metamedial Narratives in a World of Media Competition and Amateur Narratologists |
| 19:30 | Reception by the Mayor of Graz: Rathaus, Hauptplatz (Town Hall, Main Square) |
Friday, October 2nd, 2009
Venue: HS 11:01
Section 1: Literature (part II) |
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| 9:15–10:00 | Sonja KLIMEK (Neuchâtel): Metareference in Contemporary Fantasy Fiction |
| 10:00–10:45 | Christine SCHWANECKE (Heidelberg): Metareferential Reflections on Photography and Narrative Modes of Representation in Marianne Wiggins’ Photo-Novel The Shadow Catcher (2007) and other novels which link the visual to the narrative |
| 10:45–11:15 | Coffee Break |
| 11:15–12:00 | Grzegorz MAZIARCZYK (Lublin): Towards Hypermediacy of Print: Typographic Interventions in Contemporary Fiction |
| 12:00–12:45 | Wolfgang FUNK (Hannover): The Quest for Authenticity – Dave Eggers’ Novel A Heartbreaking Work of Staggering Genius between Fiction and Reality |
| 12:45–14:15 | Lunch |
Section 3: Visual Arts |
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| 14:15–15:00 | Claus CLÜVER (Bloomington): On Graffiti and Murals: Metareferential Aspects of Writings and Paintings on Walls |
| 15:00–15:45 | Pamela SCORZIN (Dortmund): Forms and Functions of Meta-Scenography in the Visual Arts |
| 15:45–16:15 | Coffee Break |
| 16:15–17:00 | Katharina BANTLEON (Graz): Meta2 – When Meta-Art Appropriates Meta-Art |
| 17:30 | Departure for the excursion to the wine-growing region in front of the university’s main building, to: Alte Bauernstubn, Weingut Kalischnik, Leutschach – "an der Klapotetzstraße" |
Saturday, October 3rd, 2009
Section 4: Cinema (part I) | Section 5: Music |
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| 9:15–10:00 | Nicholas DE VILLIERS (North Florida): Metahorror: Sequels, “The Rules”, and the Metareferential Turn in Contemporary Horror Cinema | Walter BERNHART (Graz): Metareference in Operatic Performance: The Case of Katharina Wagner’s Die Meistersinger von Nürnberg |
| 10:00–10:45 | Dagmar BRUNOW (Hamburg/Halmstad): Deconstructing Essentialism: Metareference as Aesthetic Strategy in Black British Filmmaking | Martin BUTLER (Duisburg-Essen): “It’s All About the Music, Baby!”: Making Sense of the Metareferential Momentum in Contemporary Popular Songs |
| 10:45–11:15 | Coffee Break | |
Section 4: Cinema (part I, continued) | Section 6: Comics & Graphic Novels |
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| 11:15–12:00 | David EMBREE (Saas Fe/Kent State): “Big, Tough, and True”: Metareference in Synecdoche, New York | Jeff THOSS (Graz): “This Strip Doesn’t Have a Fourth Wall”: Metareference and Webcomics |
| 12:00–12:45 | Sandra HEINEN (Wuppertal) Meta-Mediation in Sarnath Banerjee’s Graphic Novels Corridor (2004) and The Barn Owl’s Wondrous Capers (2007) |
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| 12:45–14:15 | Lunch |
Section 4: Cinema (part II) |
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| 14:15–15:00 | Erwin FEYERSINGER (Innsbruck): Animation as Meta-History of the Moving Image: Representations of Prototechnology in Animated Film |
| 15:00–15:45 | Michael FUCHS (Graz): Starring Porn: Metareferentiality in Straight Pornographic Feature Film |
| 15:45–16:15 | Coffee Break |
Closing Plenary Lecture |
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| 16:15–17:00 | Roy SOMMER (Wuppertal): Meta-Reference and Digital Media: Recent Technological Developments in Photography, Film, and Music Production and the Emergence of a Narrative of Nostalgia |
| 17:00 | Final Discussion, Closing of the Conference |
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